A look at the top tweets from your favourite Bollywood celebrities.
'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.
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Malayalam actor Sharafudheen talks about the films that defined his career.
Khan's remarks came amidst a controversy over Bollywood actor Naseeruddin Shah's remarks on mob violence in India.
Himesh Reshammiya has reportedly bought the remake rights of the film.
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'Rajesh Khanna broke the mould and yet, became the biggest superstar of Indian cinema.'
The Married Woman is an interesting watch, observes Moumita Bhattacharjee.
The difference between watching a movie on a laptop in your apartment and watching it on a big white screen is almost spiritual, notes Sreehari Nair.
John Day isn't the dark, twisted thriller it was meant to be, says Paloma Sharma.
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Bollywood veteran actor Naseeruddin slammed Virat Kohli for his on-field 'behaviour' after the India captain was involved in an on-field altercation with Australia skipper Tim Paine during the ongoing second Test in Perth on Monday.
For all the eager beavers out there, here are the ones, says Sukanya Verma, you should avoid.
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'Love, sex aur dhokha. Now that's a lethal combination, isn't it? Ever since one can remember, Bollywood has used this formula in different shapes and formats.
Bollywood gives Shashi Kapoor a final salute.
Will Sunny Leone score yet another hit?
Joginder Tuteja looks at recent films exploring the drug culture.
Okay, so we love our Goan filmi characters. Do you love these movies set in Goa? Have a look!
Bollywood says goodbye to Shashi Kapoor.
'We think we know him because he's written about everyday.' 'But how many of us know him as a person?'
'The ending Vijay Tendulkar had written was different.' 'According to him, the film ended with Anant Welankar's suicide.' 'I felt such an ending would be too nihilistic.' 'Bahut zyada defeatist ho jaata.'
The government has "suffocated" the institutions where argument, debate and dissent were nurtured, the letter stated.
Majaz, based on the life of Asraul Haq Majaz, the John Keats of Urdu poetry, marks Talat Aziz's debut as a composer in Hindi cinema. The film could have been an excellent biopic had it stuck to the poet's poetic self rather than his unfulfilled love, says Mohammad Asim Siddiqui.
Sukanya Verma looks at husband and wife filmi collaborations.
Kapil Dev's historic World Cup win wasn't the only highlight of 1983. Sukanya Verma looks back how the year treated Bollywood.
Sukanya Verma tells us just what makes Mirch Masala a must watch.
'She made you feel relaxed so that you can do the scenes best.'
The word 'Fashionista' is used dismissively to ridicule Sonam's other abilities, as though being fashionable (along with being beautiful) discounts her from any chance of being a competent actor, argues Subhash K Jha.
The composer had gems to his credit in his long career.
The hits and misses of the week.
The book The Silver Screen & Beyond, Up Close and Personal with the Bombay Film Industry is an interesting collection of pictures of the goings-on of the Hindi film industry.
'I have always loved being in front of the camera but I was probably not aggressive enough. I should have been since my first film Chak De! India gave me a lot of recognition.' The gorgeous Sagarika Ghatge returns to the movies.
'...it didn't make sense to me.' 'If the character was not adding (to the story), I wasn't interested.' 'The reason why I chose to act is because of the way it makes me feel when I'm acting, not for the fame and money.'
Even the heavens shed tears at the Eternal Charmer's passing.
'...and still managed to grab the attention of audiences.' 'Your work speaks more than your body.'
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